IMG_1397Nathalie Joachim is “an edgy multi- genre performance artist who has long been pushing boundaries with her flute”. (The Washington Post) Critics hail the Brooklyn born Haitian-American for creating “a unique blend of classical music, hip-hop, electronic programming and soulful vocals reminiscent of neo- R&B stars like Erykah Badu.” (The Wall Street Journal) Ms. Joachim regularly combines her exceptional performance skill as a flutist with her creative talents as a composer, producer and singer, navigating genres ranging from classical and jazz to indie-rock and electronic. She was recently appointed flutist of the four-time Grammy winning contemporary chamber ensemble, Eighth Blackbird. Joachim is also co- founder of the critically acclaimed urban art pop duo, Flutronix, known best for “redefining the flute and modernizing its sound by hauling it squarely into the world of popular music.”(MTV Iggy)

Ms. Joachim has performed and recorded with an impressive range of today’s most exciting artists and ensembles including Miguel Zenón, Vampire Weekend, the International Contemporary Ensemble, Richard Reed Parry, Dan Deacon, Center for Contemporary Opera and The Lone Bellow. Her original compositions have been broadcast on NPR, WNYC, WQXR, Q2, J-Wave, Tokyo FM, FM Yokohama and more. In addition, Ms. Joachim has been featured in television segments on SNL, Late Show with David Letterman, Telemundo, BK Live and The Daily Buzz, as well as an internationally broadcast ESPN super bowl commercial.

As a composer, Joachim has acquired a number of notable commissions for dance, instrumentalists and interdisciplinary theater, each featuring her signature electroacoustic style. Land Bridge, an evening-length score for Helen Simoneau Danse (2016) funded by New Music USA, is her largest complete body of work to date. Other recent projects include Ulysses in 3, a collaboration with renowned jazz drummer Ulysses Owens, Jr. of the Christian McBride Trio, as part of Park Avenue Armory’s Under Construction residency program (2015), and a piece for solo cello and recording written for Amanda Gookin of PUBLIQuartet (2017).

Ms. Joachim is an official Burkart Flutes & Piccolos artist, and has appeared as a concert soloist both in recital and with orchestra on stages throughout the United States, Europe and Japan, where she is signed to Village Again Records. Highlights include featured performances at the Newport Jazz Festival, Carnegie Hall, the Brooklyn Museum, Fukuoka Symphony Hall, National Flute Association Conventions, Gezmataz Genoa Jazz Festival, Symphony Space, Biwako Hall, Virginia Arts Festival, WNYC’s Greenespace and 92Y Tribeca among others.

Ms. Joachim is a graduate of The Juilliard School, where she studied with Carol Wincenc, Bradley Garner and Jayn Rosenfeld, and was the first person to successfully complete the conservatory’s MAP, Pre-College, and College Division programs. Upon graduation, she was granted the first ever Juilliard InterArts Award for independently producing and presenting exceptional interdisciplinary arts performances involving music, dance, theater and technology while pursuing her degree. She continued her graduate degree studies at The New School, where her focus was audio production and sound design. Ms. Joachim’s graduate performance thesis, presented at BRIC House, was an evening length work entitled Moving Words featuring an original score and video.

Since then, education has continued to play a major role in her career as an active educator of students of all ages and skill levels. Ms. Joachim is a former flute faculty member at The Juilliard School’s Music Advancement Program, has coached chamber music for The Juilliard School’s Pre- College Division and regularly appears as a teaching artist in both the US and Japan. This season, she joins the Perlman Music Program Summer Music School as Director of Contemporary Music. Her youth education workshops, presented nationally with Flutronix, focus on creative collaboration and the use of traditional instruments in modern ways including improvisation, sampling, extended techniques and the integration of technology. At the university level, she has been presented as a music career lecturer and panelist, and has led masterclasses for The Juilliard School, University of Michigan, University of the Arts, New York Flute Club, New England Conservatory, Oklahoma Flute Society, Atlanta Flute Club, University of Wisconsin-Madison, and other institutions across the country.